Showing 49–72 of 133 results
The Grip Book, Fourth Edition has been updated and revised to be even more valuable to professional grips-the "jack-of-all-trades and master of all" on a film or video set. Grips install, set up, maintain, and ensure the safety of all equipment needed on a set, such as lighting stands, cameras, and any specialty equipment needed for a shoot. This new edition contains the latest information about the latest equipment and has been updated to reflect changes in the industry including CGI screen setup and ‘cleaning up the perms.’
This book examines the art and craft of motion picture photography through a veteran professional cinematographer’s personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer."Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers’ commitment to producing the best, most interesting, unusual and memorable images for the screen.
The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A
Winner, Peter C. Rollins Book Award, 2012As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century’s most important accidental documentarians.The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world’s collective imagination.
Whether you’re new to After Effects and want to get up to speed quickly, or already a user who needs to become familiar with the new features, After Effects Apprentice was created for you. With 12 core lessons including a trio of projects combining After Effects with CINEMA 4D Lite, you’ll learn how to tap this program’s vast potential – whether you create motion graphics for network television, corporate communications, or your own projects.Fully updated to cover the major new features added in After Effects CC, this edition of the book presents a professional perspective on the most important features a motion graphics artist needs to master in order to use After Effects effectively.
After winning an Oscar for Spirited Away, the Japanese director Hayao Miyazaki’s animated films were dubbed into many languages. Some of the films are saturated with religious themes distinctive to Japanese culture. How were these themes, or what Miyazaki describes as “”animism,”” received abroad, especially considering that they are challenging to translate?
This book examines how American and German audiences, grounded on Judeo-Christian traditions, responded to the animism in Miyazaki’s Nausicaa of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1998), Spirited Away (2001), and Ponyo on the Cliff by the Sea (2008).
Featuring chronological reviews of more than 300 zombie films—from 1932’s White Zombie to the AMC series The Walking Dead—this thorough, uproarious guide traces the evolution of one of horror cinema’s most popular and terrifying creations. Fans will learn exactly what makes a zombie a zombie, go behind the scenes with a chilling production diary from Land of the Dead, peruse a bizarre list of the oddest things ever seen in undead cinema, and immerse themselves in a detailed rundown of the 25 greatest zombie films ever made.
This book’s consistent and comprehensive focus on writing allows the reader to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces the reader to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scène, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce the reader to essential areas of film studies research.
Universum-Film AG—best known by its signature logo, Ufa—was once the largest film company in Europe. Founded by the German High Command as a propaganda medium during World War I and always central to Germany’s nationalistic big-business interests, Ufa was also home to the most innovative talents of the Weimar Republic. Fritz Lang, Marlene Dietrich, Emil Jannings, and Ernst Lubitsch were Ufa stars; Metropolis, The Blue Angel, and Dr. Mabuse were only a few of its finest works. From its dazzling theaters to its state-of-the-art studios and processing labs, from its comprehensive multimedia publicity campaigns to its avant-garde art films, Ufa challenged Hollywood for cultural dominance and market share in Jazz Age Europe.
If it’s Purple, Someone’s Gonna Die is a must-read book for all film students, film professionals, and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films, and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors. Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states.
The first book from the leading coach and teacher to the stars, whose client roster has included Brad Pitt (Academy Award nominee), Charlize Theron (Academy Award winner), Djimon Honsou (Academy Award nominee), Elizabeth Shue (Academy Award nominee) and Halle Berry (Academy Award winner). The Power of the Actor guides the reader to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the first choice – the leading edge of acting for the 21st century. Previous generations of actors were steeped in the teaching traditions of Stanislavski, Meisner and Strasberg.
Looking at Movies, Third Edition is an accessible and visually dynamic introduction to film studies that offers more media support and a lower price than all of its competitors.The Third Edition of Looking at Movies is as visually engaging and fun to read as previous editions, and now contains new material on film history, film genre, and cultural contexts, and even more help with film analysis.Supplementary materials, conceived and created by the authors, integrate seamlessly with the text. Two DVDs contain nearly four hours of film clips, frame sequences, short films, and animations to show what the text describes.
The definitive guide to classic films from one of America’s most trusted film criticsThanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin’s Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin’ in the Rain and Godzilla, King of the Monsters!Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin’s personal recommendations, and three hundred new entries—including many offbeat and obscure films—this new edition is a must-have companion for every movie lover.
In Rose Eichenbaum’s latest book on the confluence of art making and human expression, she sits down with thirty-five modern day storytellers—the directors of theater, film, and television. Eichenbaum’s subjects speak with revealing clarity about the entertainment industry, the role and life of the director, and how theatrical and cinematic storytelling impacts our culture and our lives. The Director Within includes interviews with Peter Bogdanovich (The Last Picture Show), Julie Taymor (The Lion King), Mel Brooks (Blazing Saddles), Tim Van Patten (The Sopranos, Boardwalk Empire), Hal Prince (The Phantom of the Opera), Barry Levinson (Rain Man), and many others.
If you¿re ready to get serious about editing video, you¿ll want Final Cut Pro, and this self-paced, Apple-authorized guide is the best place to start learning it. In Apple Pro Training Series: Final Cut Pro 4, master teacher Diana Weynand delivers a comprehensive course on Apple¿s high-end video editing software.
Nazisploitation! examines past intersections of National Socialism and popular cinema and the recent reemergence of this imagery in contemporary visual culture. In the late 1960s and early 1970s, films such as Love Camp 7 and Ilsa, She-Wolf of the SS introduced and reinforced the image of Nazis as master paradigms of evil in what film theorists deem the ‘sleaze’ film. More recently, Tarantino’s Inglourious Basterds, as well as video games such as Call of Duty: World at War, have reinvented this iconography for new audiences.
Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a best-seller. This new collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): "The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year’s Best Picture nominees and wrote that they were ‘ignored, unloved, and turned down flat by most of the same studios that .
This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship.
I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders.Witness:Armageddon * (1998) – The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out.T
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity.S
Today’s animation is much more than kids’ stuff. Increasingly complex subject matter has produced a corresponding increase in artistic interest, and forms once specific to certain cultures have crossed borders to enjoy international popularity. Japanese animation has been particularly successful in the United States, and among the most celebrated Japanese animation artists is director Mamoru Oshii.
Edited by two renowned Allen experts, A Companion to Woody Allen presents a collection of 26 original essays on the director’s films. Contributions offer a number of divergent critical perspectives while expanding the contexts in which his work is understood.A timely companion by the authors of two of the most important books on Allen to dateIlluminates the films of Woody Allen from a number of divergent critical perspectivesExplores the contexts in which his work should be understoodAssesses Allen’s remarkable filmmaking career from its early beginnings and investigates the conflicts and contradictions that suffuse itDiscusses Allen’s recognition as a global cinematic figure
Since its inception in 1933, Toho Co., Ltd., Japan’s most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho’s rich history.
The American artist Man Ray was one of the most influential figures of the historical avant-garde, contributing significantly to the development of both Dadaism and Surrealism. Whilst his pioneering work in photography assured him international acclaim, his activity in other areas, notably film, is to this day both unknown and undervalued.During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Léger, René Clair and Hans Richter.
Showing 49–72 of 133 results