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Sex Differences and Similarities in Communication offers a thorough exploration of sex differences in how men and women communicate, set within the context of sex similarities, offering a balanced examination of the topic. The contents of this distinctive volume frame the conversation regarding the extent to which sex differences are found in social behavior, and emphasize different theoretical perspectives on the topic. Chapter contributors examine how sex differences and similarities can be seen in various verbal and nonverbal communicative behaviors across contexts, and focus on communication behavior in romantic relationships.
Conversation analysts have begun to challenge long-cherished assumptions about the relationship between gender and language, asking new questions about the interactional study of gender and providing fresh insights into the ways it may be studied empirically. Drawing on a lively set of audio- and video-recorded materials of real-life interactions, including domestic telephone calls, children’s play, mediation sessions, police-suspect interviews, psychiatric assessments and calls to telephone helplines, this volume is the first to showcase the latest thinking and cutting-edge research of an international group of scholars working on topics at the intersection of gender and conversation analysis.
Confessions of the Whore Next Door features striking images of and probing words by the quintessentially American whore! Wrapped in the American flag, stating opinions that your mother likely won’t approve, constructing arguments that will make you blush, Siouxsie Q is a storyteller of the first order, and her stories embody sex appeal, political activism, and good humor!
Uploader’s Note: This book also covers women in nearby and related but separate countries, and is clear about that fact.Synthesizing several decades of scholarship by historians East and West, Barbara Evans Clements traces the major developments in the history of women in Russia and their impact on the history of the nation. Sketching lived experiences across the centuries, she demonstrates the key roles that women played in shaping Russia’s political, economic, social, and cultural development for over a millennium.
From the days of the penny press to the contemporary world of social media, journalistic accounts of teen girls in trouble have been a mainstay of the U.S. news media. Often the stories represent these girls as either victims or whores (and sometimes both), using journalistic storytelling devices and news-gathering practices that question girls’ ability to perform femininity properly, especially as they act in public recreational space. These media accounts of supposed misbehavior can lead to moral panics that then further silence the voices of teenagers and young women.I
From a leading US authority on a subject more timely than ever—an up-to-date, all-in-one resource on gender-nonconforming children and adolescentsIn her groundbreaking first book, Gender Born, Gender Made, Dr. Diane Ehrensaft coined the term gender creative to describe children whose unique gender expression or sense of identity is not defined by a checkbox on their birth certificate. Now, with The Gender Creative Child, she returns to guide parents and professionals through the rapidly changing cultural, medical, and legal landscape of gender and identity.
In contemporary India, as one side of the coin celebrates traditional stereotypes, the other side subverts the same image, sometimes subtly, but often radically. The push and pulls of these factors are changing the cultural landscape of India decisively. This volume critiques media representations of popular culture and gender since the 1950s and tracks the changes that have taken place in Indian society. The authors give us incisive analyses of these transformations, represented through the candid lens of the camera in films, television, advertisements and magazines, all of which focus on gender and familial representations and patriarchal norms in Indian society.T
Ask a woman about her hair, and she just might tell you the story of her life. Ask a whole bunch of women about their hair, and you could get a history of the world. Surprising, insightful, frequently funny, and always forthright, the essays in Me, My Hair, and I are reflections and revelations about every aspect of women’s lives from family, race, religion, and motherhood to culture, health, politics, and sexuality.They take place in African American kitchens, at Hindu Bengali weddings, and inside Hasidic Jewish homes.
I’ve got it all—a great job, relationship, and lifestyle—so why do I feel so dissatisfied and disconnected?Why am I not happier in my intimate relationships?How do I become more powerful—without becoming that jerk everyone dislikes?Robert Augustus Masters has helped thousands of men address and work through such issues. What he’s found is that the common solution to these dilemmas is challenging yet clear: we must face our unresolved wounds, shame, and whatever else is holding us back, bringing “our head, heart, and guts into full-blooded alignment.”
From historian and acclaimed feminist author of How the French Invented Love and A History of the Wife comes this rich, multifaceted history of the evolution of female friendship.In today’s culture, the bonds of female friendship are taken as a given. But only a few centuries ago, the idea of female friendship was completely unacknowledged, even pooh-poohed. Only men, the reasoning went, had the emotional and intellectual depth to develop and sustain these meaningful relationships.Surveying history, literature, philosophy, religion, and pop culture, acclaimed author and historian Marilyn Yalom and co-author Theresa Donovan Brown demonstrate how women were able to co-opt the public face of friendship throughout the years.
How cumbia villera and Argentine popular culture reshape and reflect the changes in gender relations among the country’s underclass youth
In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television’s earliest and most significant women’s genres, appraising from a feminist perspective what women watched before soap opera rose to prominence.After providing a comprehensive history of the early days of women’s programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America—Kate Smith’s variety show and the famed singer’s unsuccessful transition from patriotic radio star to 1950s TV idol; the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women’s participation but in the process established the dominance of male hosts on TV; and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up.C
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies.
Knowing Victims explores the theme of victimhood in contemporary feminism and politics. It focuses on popular and scholarly constructions of feminism as ‘victim feminism’ – an ideology of passive victimhood that denies women’s agency – and provides the first comprehensive analysis of the debate about this ideology which has unfolded among feminists since the 1980s.The book critically examines a movement away from the language of victimhood across a wide array of discourses, and the neoliberal replacement of the concept of structural oppression with the concept of personal responsibility.
I have always been a fan of Mr. Zaslow’s writings. I will admit however, this book typically isn’t what I would have picked from the bookstore shelf or the library. As a man, we often suppress our emotions. In acquiring and reading this title though, I have no shame in admitting that it touched at heart strings. What I found in the writing was not a book about weddings, but instead, an opportunity to reflect on the husband and father that I need to be.
The women’s health movement shocked and scandalised when it burst into Australian politics in the early 1970s. It cast the light of day onto taboo subjects such as sexual assault, abortion and domestic violence, provoking outrage and condemnation. Some of the services women created for themselves were subjected to police raids; sex education material was branded ‘indecent’. Moreover, women dared to criticise revered institutions, such as the medical system. Yet for all its perceived radicalism, the movement was part of a much broader and relatively conventional international health reform push, which included the ‘new’ public health movement, the community health centre movement and, in Australia, the Aboriginal health movement, all of which were critical of the way medical systems had been organised during the 20th century.
The essays in this collection deploy biological and social scientific perspectives to evaluate the transformative experience of parenthood for today’s women and men. They map the similar and distinct roles mothers and fathers play in their children’s lives and measure the effect of gendered parenting on child well-being, work and family arrangements, and the quality of couples’ relationships. Contributors describe what happens to brains and bodies when women become mothers and men become fathers; whether the stakes are the same or different for each sex; why, across history and cultures, women are typically more involved in childcare than men; why some fathers are strongly present in their children’s lives while others are not; and how the various commitments men and women make to parenting shape their approaches to paid work and romantic relationships.
In a time of economic anxiety, fear of terrorism, and marital uncertainty, insecurity has become a big part of life for many American mothers. With bases of security far from guaranteed, mothers are often seeking something they can count on. In this beautifully written and accessible book, Ana Villalobos shows how mothers frequently rely on the one thing that seems sure to them: the mother-child relationship. Based on over one hundred interviews with and observations of mothers—single or married, but all experiencing varying forms of insecurity in their lives—Villalobos finds that mothers overwhelmingly expect the mothering relationship to "make it all better" for themselves and their children.B
This uses a historical and comparative approach to examine and critique the entire twentieth-century history of paid care work – including health care, education and child care, and social services – drawing on an in-depth analysis of US Census data as well as a range of occupational histories.
Forms of embodied labor, such as surrogacy and participation in clinical trials, are central to biomedical innovation, but they are rarely considered as labor. Melinda Cooper and Catherine Waldby take on that project, analyzing what they call "clinical labor," and asking what such an analysis might indicate about the organization of the bioeconomy and the broader organization of labor and value today. At the same time, they reflect on the challenges that clinical labor might pose to some of the founding assumptions of classical, Marxist, and post-Fordist theories of labor.
To some a book on the “origins”of sexual inequality is absurd. Male dominance seems to them a universal, if not inevitable, phenomenon that has been with us since the dawn of our species. The essays in this volume offer differing perspectives on the development of sex-role differentiation and sexual inequality, but share a belief that these phenomena “did”have social origins, origins that must be sought in sociohistorical events and processes. In this way Stephanie Coontz and Peta Henderson introduce a book which fills a yawning gap in Marxist and feminist theory of recent years.
Men dominate history because men write history. There have been many heroes, but no heroines. This is the book that overturns that "phallusy of history," giving voice to the true history of the world — which, always and forever, must include the contributions of millions of unsung women. Here is the history you never learned — but should have!Without politics or polemics, this brilliant and witty book overturns centuries of preconceptions to restore women to their rightful place at the center of culture, revolution, empire, war, and peace.
Reaching beyond sensational headlines, "Land of the Unconquerable" at last offers a three-dimensional portrait of Afghan women. In a series of wide-ranging, deeply reflective essays, accomplished scholars, humanitarian workers, politicians, and journalists – most with extended experience inside Afghanistan – examine the realities of life for women in both urban and rural settings. They address topics including food security, sex work, health, marriage, education, poetry, politics, prisoners, and community development.
Female Gothic Histories is an important new study of the ways in which women writers have used the gothic novel to symbolize and counter their exclusion from traditional historical narratives. Beginning with a detailed reading of Sophia Lee’s critically neglected The Recess, one of the earliest historical gothic fictions, Diana Wallace traces the development of this form from works by Elizabeth Gaskell, Vernon Lee, Daphne du Maurier, and the modern gothics of Victoria Holt, to the phenomenally popular novels of Sarah Waters.
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